THE FLORIO CUT

A cut is not
a uniform.

The Florio signature is read in the whole: proportion, balance, movement and presence.

Sartoria Florio lapel detail
01

The person before the formula.

A house can have a handwriting without imposing the same silhouette on everyone. The cut adapts to body, cloth and use; the signature remains in the organisation of proportion.

01

Balance

Plumb and the distribution of volume give the garment its calm.

02

Line

Lines guide the eye without becoming an autonomous effect.

03

Movement

A jacket should remain right when the wearer walks, sits and lives.

04

Cloth

The cloth is not simply dressed by the cut; its hand and weight take part in the construction.

Basted lapel
Jacket under construction
Finished tailoring detail

Character, without costume.

The aim is a natural presence: a garment recognised for its rightness before any visible sign.

PARIS — BY APPOINTMENT

Character, without costume.

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